Inner Conflicts in Twain’s “Adventures of Huckleberry Finn” Essay
In his book “Adventures of Huckleberry Finn”, Mark Twain portrays the way society instills morals to its people in a satirical manner. These morals are indented and therefore the author uses the book to highlight the evils that are in the society. Huck, the main element character in the book, brings the collision of an audio heart and a deformed conscience, a conflict well illustrated through the theme of racism, civilized society, and slavery amongst others.
The conflict between character and conscience
A character-conscience conflict sticks out well in Twain’s masterwork. Huck rejects the morals of society because he will not realize why society cannot arrived at his rescue by protecting him from his cruel father who’s best for nothing drunkard. The circumstances that bewilder Huck force him to remain with a widow, something he will not like, though he stays there anyway. He could be in continuous conflict with himself.
Furthermore, the writer illustrates Huck’s beliefs towards religion and Christianity in a satirical way. In a conversation, he responds by saying he would like to maintain hell to possess a change (Twain 27). He, therefore, misunderstands the concepts of religions although his motives aren’t bad. He follows his ways instead of those of the society, indicating the amount of his character-conscience conflict.
The writer also presents Huck as an inspired and someone who will not like harming or offending his colleagues. He never associates with liars and fraud people and for that reason avoids them to possess his peace (Twain 32). However, on realizing the chance that Jim is in, he accocunts for his decision and allows him in, to make sure that nothing bad happens to him. Tom Sawyer serves because the epitome of illustrating these conflicts.
The thought of sound heart-conscience conflicts sticks out well, like Tom Sawyer, the most known character reveals. The student is involved with several issues, the initial incidence being where he whitewashes the fence as a punishment from his mother. He intentionally tricks his colleagues to aid him in the work. He knows the secret whereas the colleagues believe that they are performing for fun. The boys get the job done with a sort heart arousing Sawyer’s conflicts with himself for hiding the reality from his colleagues. Furthermore, the turn of events in Sawyer’s love with Becky illustrates a character-conscience conflict.
Both parties fall in love getting into courtship, a relationship that breaks the moment Sawyer abuses his lover (Twain 45). Regardless of the break, Sawyer fights along with his conscience, as he knows well he ought to marry, an incident that forces him to reconcile with Becky thereby continuing making use of their love affairs. Also, cases of conflicts stick out where Sawyer and Finn see bad Joe murder doctor Robinson while visiting the graveyard.
Upon the discovery of the murder, Joe blames Muff for the killing, a scenario overweight for Sawyer to bear. Following his piling inner fights, he and his friend Huck opt to escape becoming pirates. His mother’s conscience tells her they are already dead and for that reason prepares for his or her funeral.
However, Sawyer and his colleague arrive, and carrying out a serious character-conscience conflict on whether to reveal or conceal the murder, Sawyer gradually gains the courage to testify on the murder against Joe. Twain therefore successfully shows what sort of sound heart collides with a deformed conscience, a predicament that forces people like Sawyer to speak their minds thereby doing according to their hearts’ demand.
Twain, Mark. Adventures of Huckleberry Finn . Oxford: Oxford University Press, 2004.